Lithuanian photography trends in the 1960s were shaped by Antanas Sutkus, Romualdas Rakauskas, Algimantas Kunčius, Aleksandras Macijauskas and other renowned Lithuanian photographers. Romualdas Požerskis appeared on the scene ten years later, however his works exhibit a continuation of the traditions of the "Lithuanian School" of photography, particularly in his series entitled Pilgrimages.
For nearly two decades, from 1974 to 1993, Požerskis documented church festivals held in villages around Lithuania. The majority of the images for this series were produced in the style most characteristic of the "Lithuanian School", namely photo reportage, immortalizing the rituals, feasts and the socializing that always took place afterward. Like his older colleagues, Požerskis preserved the imagery of Lithuanian village traditions for future viewers.
The Pilgrimages series shares one more element in common with Lithuanian photographic tradition: a humanistic world view that united the photographers of the "Lithuanian School". According to Požerskis, art is the ability to grow closer to another human being, rather than an external effect or an unrestrained form of self-expression.
Požerskis' humanistic view of society is clearly revealed in a photograph entitled Pilgrimages. Povandenė, of 1978. In the foreground, we see an elderly couple kissing, a symbol of ageless love and a warm human bond, while, in the background, a couple of well-dressed young girls establish a festive mood in a setting that suggests the entire episode is a snapshot of Lithuanian village life.
The photograph presents a visual metaphor of eternal values, preserved in the traditional village way of life and passed from generation to generation. A poetic view of the lives of average people and the extolling of basic human values in a broad visual language is what unites the different generations of photographers of the "Lithuanian School".
Information in the Internet (Union of the Lithuanian Art Photographers)